REDEMPTUS Porto, Portugal
Blurring lines between metal, hardcore, punk and related sub-genres.
Booking:
redemptusband@gmail.com
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supported by 7 fans who also own “At the Altars of Competition”
So nice to have another quality British metal band that aren’t part of the black/death/extreme school. Dynamic heavy music with broad appeal. Love all their stuff. If you like Mastodon and similar, this is for you.
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supported by 7 fans who also own “At the Altars of Competition”
I have yet to listen to this entire album without skipping a single track. Like an enchanter, the album keeps your attention with its effortless flow throughout, despite having crushing riffs, progressive breakdowns, and epic-length songs.
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supported by 7 fans who also own “At the Altars of Competition”
Unmaker was my first encounter with LLNN and I was worried that their previous works might not pack the same punch... what a fool I've been. Loss is short, and we should be grateful. This is soul-crushing in its heavyness. Imagine watching a gigantic orbital station collapse and crash down on earth, seemingly in slow motion: the annihilation of its impact all-encompassing and inevitable. It is the weight of such an expectation that turns Loss into an almost physical threat. Fascinating.
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Débris de mondes perdus
by Abraham
On their incredible new album, Swiss group Abraham deliver a relentless assault of punishing noise rock, eight tracks of primal fury.
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The UK four-piece summon the ghosts of metal past to create an unsparing album that's unmistakably contemporary.
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No One Wants To Speak About It
by Adzes
Seattle band Adzes craft sludgy dirges with elements of noise rock, post-metal and shoegaze, united by a staunch moral compass.
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supported by 6 fans who also own “At the Altars of Competition”
Decoy's bandcamp find on 2/4/2015: http://www.decoymusic.com/news_posts/36383
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